Fra’s "Last Judgment," painted about 1429 during his stay at Fiesole, for the Camaldolese monks of Santa Maria degli Angeli; now in the Academy, Florence; shows more temple evidences. Fragments of the doctrine of deification= becoming gods, is also preserved, to a certain extent in the way Fra Angelico depicted the "saved" as having their faces shine! Commenting on “The Last Judgment,” painting, Albert E. Bailey, cites without a reference to Old Testament Prophet Daniel 12:3. "They that be wise shall shine as the sun, and they that turn many to righteousness as the stars forever and ever."

Irenaeus, AD 120-202, Bishop of Lyons, a disciple of Polycarp, who was St. John’s pupil; quotes Daniel to suggest that the deifieds' faces would shine with great glory & light.

Bailey: "Some of the shining ones act as ushers to lead the new-comers to the celestial garden-party already going on in the pastures of the blessed."

Off to one side, the far right side of Christ’s right hand, symbolic of the right hand path, in contrast to the left hand side of Christ. Those on Christ’s right hand side are in the process of being deified, perfected & glorified. Those on Christ’s left hand side are being demonified, the opposite of deification, for they are becoming more like the devil & demons.

Light shines from a heavenly city, towards which two shining souls float towards, it’s light of the celestial city, "Jerusalem the Golden" that shines through the entrance way. The saved are also depicted as if joining a sort of hand clasping circle dance with the angels.

Synesius, in one of his Hymns has this to say about the soul: "Soon commingled with the Father Thou shalt dance a 'god' with God."

Sources:
Fra Angelico. The Last Judgement. c.1431. Tempera on wood. 105 x 210 cm. Museo di San Marco, Florence, Italy.
http://www.abcgallery.com/A/angelico/angelico39.html

Fra Angelico. Christ as Pilgrim Received by Two Dominicans. c.1441. Fresco, 108 x 145. Museo di San Marco, Florence, Italy. Two monks welcome the wandering Christ, guised as a Pilgrim, by grasping Christ’s wrist.
http://www.abcgallery.com/A/angelico/angelico45.html

Fra Angelico. Christ in Limbo. c.1450. Fresco, 183 x 166. Museo di San Marco, Cell 31, Florence, Italy. Adam(?) is the first to grasp Christ’s right hand, as Christ rescues souls out of limbo.
http://www.abcgallery.com/A/angelico/angelico63.html

Albert E. Bailey, The Gospel In Art, by 1916, Pilgrim Press, Boston & Chicago, p.415-421; The Ante Nicene Fathers, 1:488-90, & 497, Irenaeus; The Nicene & Post Nicene Fathres, 5:502, note 4, citing Synesius. See also: Encyclopedia of World Art, Vol.I, pl.63, The birth of the Virgin, Panel, Munich, Pinakothek, Pub. in 1959, by McGraw-Hill Pub., Co., Lon., Also in 1958 by the Istituto per la Collaborazione Culturale, Rome, this art work shows angels in the air, in a circle clasping hands. Compare: Clement of Alex., Cohortation ad gentes xii, in Migne, PG 8:241; The Collected Works of Huge Nibley, Vol.4, Mormonism And Early Christianity, 1987, Pub. by FARMS, & DBC., Provo & SLC., Utah, chap.3, pp.45-99; earlier published as: The Early Christian Prayer Circle, by FARMS, BYU Studies XIX, #1, 41-78 (Fall 1978). See also: Art of the Early Renaissance by Michael Batterberry, 1964 & 1968, by Fratelli Fabbri, Ed., Milan Italy, pp.78, 80-1, & 184, fig.79; The Encyc. of Visual Art, Vol.3, p.273, angels in a circle in the air clasping hands.

http://www.heavenlyascents.com/2009/08/18/huchels-the-cosmic-ring-dance-of-the-angels-an-early-christian-rite-of-the-temple-released/