This example is from 2 Enoch. This apocrypha text is a pseudepigraphon, meaning its authorship is unknown, but is considered part of ancient Jewish literature. The oldest extant manuscripts of this text are in the Slavonic language, but was probably translated from Greek. The text probably was originally written sometime during the Second Temple period (Herod’s temple), between 516 BC and 70 AD. You can read an English translation of the text at Pseudepigrapha.com (which is an LDS site).

This text is unique in its depiction of Enoch, as Wikipedia notes:

For the first time, the Enochic tradition seeks to show Enoch, not simply as a human taken to heaven and transformed into an angel, but as a celestial being exalted above the angelic world.

Researching these things opens grand vistas of something deeper going on in ancient texts, particularly the traditions of Metatron, an angel that appears in mainly Jewish mystical texts, and has been attributed to a glorification or deification of Enoch, the son of Jared:

This Enoch, whose flesh was turned to flame, his veins to fire, his eye-lashes to flashes of lightning, his eye-balls to flaming torches, and whom God placed on a throne next to the throne of glory, received after this heavenly transformation the name Metatron.

It is interesting that Enoch is glorified, receives a throne of glory, and a new name, Metatron. We will search out these things more fully in future posts. For the purposes of this post, 2 Enoch shows the beginnings or origins of a Metatron tradition in Enoch literature.

Much of the Enoch literature is apocalyptic in nature, as is this one, relating a vision or revelation. 2 Enoch is filled with imagery of Enoch’s ascension into heaven. Beginning in chapter 22, the character Enoch beholds a “tenth” heaven, and sees the Lord upon his throne, surrounded by concourses of angels in the attitude of singing and praising their God (cf. 1 Nephi 1:8):

1 On the tenth heaven, (which is called) Aravoth, I saw the appearance of the Lord's face, like iron made to glow in fire, and brought out, emitting sparks, and it burns.

2 Thus (in a moment of eternity) I saw the Lord’s face, but the Lord's face is ineffable, marvellous and very awful, and very, very terrible.

3 And who am I to tell of the Lord's unspeakable being, and of his very wonderful face? And I cannot tell the quantity of his many instructions, and various voices, the Lord’s throne (is) very great and not made with hands, nor the quantity of those standing round him, troops of Cherubim and seraphim, nor their incessant singing, nor his immutable beauty, and who shall tell of the ineffable greatness of his glory.

Enoch bows down to worship the Lord

4 And I fell prone and bowed down to the Lord, and the Lord with his lips said to me:

5 Have courage, Enoch, do not fear, arise and stand before my face into eternity.

6 And the archistratege Michael lifted me up, and led me to before the Lord's face.

Enoch is then given a promise of eternal reward:

7 And the Lord said to his servants tempting them: Let Enoch stand before my face into eternity, and the glorious ones bowed down to the Lord, and said: Let Enoch go according to Your word.

The Lord then commands Michael to anoint Enoch with oil, and invest him with garments, so that he may be made glorious:

8 And the Lord said to Michael: Go and take Enoch from out (of) his earthly garments, and anoint him with my sweet ointment, and put him into the garments of My glory.

9 And Michael did thus, as the Lord told him. He anointed me, and dressed me, and the appearance of that ointment is more than the great light, and his ointment is like sweet dew, and its smell mild, shining like the sun's ray, and I looked at myself, and (I) was like (transfigured) one of his glorious ones.

The symbolism of the temple is quite clear. This text covers the themes of ascension, deification (theosis), exaltation, anointing, investiture, the garment of priesthood, and being made like one of His glorious ones.

Enoch’s Anointing & Investiture during Ascension in 2 Enoch

God took Enoch - Illustrated by Gerard Hoet (1648-1733)

A reader emailed me last night and introduced me to the work of Dr. Andrei Orlov, a professor at Marquette University, who has done much work on Enoch pseudepigraphal material. As I was perusing some of his research I came upon one of the excerpts from his book The Enoch-Metatron Tradition that interested me. It is an account from the book of 1 Enoch which tells of Enoch’s vision of his ascension to the throne of God:

And I proceeded until I came near to a wall (t[eqm) which was built of hailstones, and a tongue of fire surrounded it, and it began to make me afraid. And I went into the tongue of fire and came near to a large house (be4t (a3biy) which was built of hailstones, and the wall of that house (was) like a mosaic (made) of hailstones, and its floor (was) snow. Its roof (was) like the path of the stars and flashes of lightning, and among them (were) fiery Cherubim, and their heaven (was like) water. And (there was) a fire burning around its wall, and its door was ablaze with fire. And I went into that house, and (it was) hot as fire and cold as snow, and there was neither pleasure nor life in it. Fear covered me and trembling, I fell on my face. And I saw in the vision, and behold, another house, which was larger than the former, and all its doors (were) open before me, and (it was) built of a tongue of fire. And in everything it so excelled in glory and splendor and size that I am unable to describe to you its glory and its size. And its floor (was) fire, and above (were) lightning and the path of the stars, and its roof also (was) a burning fire. And I looked and I saw in it a high throne, and its appearance (was) like ice and its surrounds like the shining sun and the sound of Cherubim.

I believe I’ve come across this reference before, perhaps in Nibley’s writings, but it was good to go over it again. This type of psudepigrapha is full of symbolism and can be intimidating unless we have a guide. Dr. Orlov helps us in this regard:

Commenting on this passage, Himmelfarb draws the readers’ attention to the description of the celestial edifices which Enoch encounters in his approach to the Throne. She notes that the Ethiopic text reports that, in order to reach God’s Throne, the patriarch passes through three celestial constructions: a wall, an outer house, and an inner house. The Greek version of this narrative mentions a house instead of a wall. Himmelfarb observes that “more clearly in the Greek, but also in the Ethiopic this arrangement echoes the structure of the earthly temple with its vestibule (Mlw)), sanctuary (lkyh), and the Holy of Holies (rybd).”

So in order to reach the highest level of the heaven, Enoch had to pass through three stages or levels of progression on his ascent. As Dr. Orlov notes, this has also been shown to follow the very structure of many ancient temples themselves, that of three levels of separation or partition from the most sacred interior, the Holy of Holies, where God dwells. Such a structure can be seen in Moses’ tabernacle, as well as Solomon’s temple and those that followed its pattern.

Three Divisions of Enoch’s Heavenly Temple