Ether (Book of Mormon)
12:1 - And it came to pass that the days of Ether were in the days of Coriantumr; and Coriantumr was king over all the land.
12:2 - And Ether was a prophet of the Lord; wherefore Ether came forth in the days of Coriantumr, and began to prophesy unto the people, for he could not be restrained because of the Spirit of the Lord which was in him.
12:3 - For he did cry from the morning, even until the going down of the sun, exhorting the people to believe in God unto repentance lest they should be destroyed, saying unto them that by faith all things are fulfilled--
12:4 - Wherefore, whoso believeth in God might with surety hope for a better world, yea, even a place at the right hand of God, which hope cometh of faith, maketh an anchor to the souls of men, which would make them sure and steadfast, always abounding in good works, being led to glorify God.
12:5 - And it came to pass that Ether did prophesy great and marvelous things unto the people, which they did not believe, because they saw them not.
12:6 - And now, I, Moroni, would speak somewhat concerning these things; I would show unto the world that faith is things which are hoped for and not seen; wherefore, dispute not because ye see not, for ye receive no witness until after the trial of your faith.
12:7 - For it was by faith that Christ showed himself unto our fathers, after he had risen from the dead; and he showed not himself unto them until after they had faith in him; wherefore, it must needs be that some had faith in him, for he showed himself not unto the world.
12:8 - But because of the faith of men he has shown himself unto the world, and glorified the name of the Father, and prepared a way that thereby others might be partakers of the heavenly gift, that they might hope for those things which they have not seen.
12:9 - Wherefore, ye may also have hope, and be partakers of the gift, if ye will but have faith.
12:10 - Behold it was by faith that they of old were called after the holy order of God.
12:11 - Wherefore, by faith was the law of Moses given. But in the gift of his Son hath God prepared a more excellent way; and it is by faith that it hath been fulfilled.
12:12 - For if there be no faith among the children of men God can do no miracle among them; wherefore, he showed not himself until after their faith.
12:13 - Behold, it was the faith of Alma and Amulek that caused the prison to tumble to the earth.
12:14 - Behold, it was the faith of Nephi and Lehi that wrought the change upon the Lamanites, that they were baptized with fire and with the Holy Ghost.
12:15 - Behold, it was the faith of Ammon and his brethren which wrought so great a miracle among the Lamanites.
12:16 - Yea, and even all they who wrought miracles wrought them by faith, even those who were before Christ and also those who were after.
12:17 - And it was by faith that the three disciples obtained a promise that they should not taste of death; and they obtained not the promise until after their faith.
12:18 - And neither at any time hath any wrought miracles until after their faith; wherefore they first believed in the Son of God.
12:19 - And there were many whose faith was so exceedingly strong, even before Christ came, who could not be kept from within the veil, but truly saw with their eyes the things which they had beheld with an eye of faith, and they were glad.
12:20 - And behold, we have seen in this record that one of these was the brother of Jared; for so great was his faith in God, that when God put forth his finger he could not hide it from the sight of the brother of Jared, because of his word which he had spoken unto him, which word he had obtained by faith.
12:21 - And after the brother of Jared had beheld the finger of the Lord, because of the promise which the brother of Jared had obtained by faith, the Lord could not withhold anything from his sight; wherefore he showed him all things, for he could no longer be kept without the veil.
12:22 - And it is by faith that my fathers have obtained the promise that these things should come unto their brethren through the Gentiles; therefore the Lord hath commanded me, yea, even Jesus Christ.
12:23 - And I said unto him: Lord, the Gentiles will mock at these things, because of our weakness in writing; for Lord thou hast made us mighty in word by faith, but thou hast not made us mighty in writing; for thou hast made all this people that they could speak much, because of the Holy Ghost which thou hast given them;
12:24 - And thou hast made us that we could write but little, because of the awkwardness of our hands. Behold, thou hast not made us mighty in writing like unto the brother of Jared, for thou madest him that the things which he wrote were mighty even as thou art, unto the overpowering of man to read them.
12:25 - Thou hast also made our words powerful and great, even that we cannot write them; wherefore, when we write we behold our weakness, and stumble because of the placing of our words; and I fear lest the Gentiles shall mock at our words.
12:26 - And when I had said this, the Lord spake unto me, saying: Fools mock, but they shall mourn; and my grace is sufficient for the meek, that they shall take no advantage of your weakness;
12:27 - And if men come unto me I will show unto them their weakness. I give unto men weakness that they may be humble; and my grace is sufficient for all men that humble themselves before me; for if they humble themselves before me, and have faith in me, then will I make weak things become strong unto them.
12:28 - Behold, I will show unto the Gentiles their weakness, and I will show unto them that faith, hope and charity bringeth unto me--the fountain of all righteousness.
12:29 - And I, Moroni, having heard these words, was comforted, and said: O Lord, thy righteous will be done, for I know that thou workest unto the children of men according to their faith;
12:30 - For the brother of Jared said unto the mountain Zerin, Remove--and it was removed. And if he had not had faith it would not have moved; wherefore thou workest after men have faith.
12:31 - For thus didst thou manifest thyself unto thy disciples; for after they had faith, and did speak in thy name, thou didst show thyself unto them in great power.
12:32 - And I also remember that thou hast said that thou hast prepared a house for man, yea, even among the mansions of thy Father, in which man might have a more excellent hope; wherefore man must hope, or he cannot receive an inheritance in the place which thou hast prepared.
12:33 - And again, I remember that thou hast said that thou hast loved the world, even unto the laying down of thy life for the world, that thou mightest take it again to prepare a place for the children of men.
12:34 - And now I know that this love which thou hast had for the children of men is charity; wherefore, except men shall have charity they cannot inherit that place which thou hast prepared in the mansions of thy Father.
12:35 - Wherefore, I know by this thing which thou hast said, that if the Gentiles have not charity, because of our weakness, that thou wilt prove them, and take away their talent, yea, even that which they have received, and give unto them who shall have more abundantly.
12:36 - And it came to pass that I prayed unto the Lord that he would give unto the Gentiles grace, that they might have charity.
12:37 - And it came to pass that the Lord said unto me: If they have not charity it mattereth not unto thee, thou hast been faithful; wherefore, thy garments shall be made clean. And because thou hast seen thy weakness thou shalt be made strong, even unto the sitting down in the place which I have prepared in the mansions of my Father.
12:38 - And now I, Moroni, bid farewell unto the Gentiles, yea, and also unto my brethren whom I love, until we shall meet before the judgment-seat of Christ, where all men shall know that my garments are not spotted with your blood.
12:39 - And then shall ye know that I have seen Jesus, and that he hath talked with me face to face, and that he told me in plain humility, even as a man telleth another in mine own language, concerning these things;
12:40 - And only a few have I written, because of my weakness in writing.
12:41 - And now, I would commend you to seek this Jesus of whom the prophets and apostles have written, that the grace of God the Father, and also the Lord Jesus Christ, and the Holy Ghost, which beareth record of them, may be and abide in you forever. Amen.
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20 Comments
Cool picture and great observations, Bryce! It preserves some good ancient traditions. The depiction of God in the Garden has him wearing gold-colored robes, which represents a very ancient belief. The ancient Near Eastern peoples generally saw the gods as wearing gold and even having gold-colored skin (which I assume was their approximation of the gods’ brilliant appearance).
I really like the angel roasting a hot dog on the sun/star! LOL
David
It looks like this might be a good starting link to learn what those other tools might be that the angels are holding:
http://www.newyorkcarver.com/masontool.htm
An interesting scene. To expand on your note, I think the walls are intended to convey the sacred space concept because trees, vegetation and animals continue outside of them. Its interesting that the artist recognizes a garden can become a sacred space. Surrounding it with waters, obviously more than rivers or lake, leaves an island-like image that intentionally or otherwise conveys the idea of this being the crowning act of creation.
I think the being with Adam and Eve is meant to be Christ. The figure above is watching, approvingly. The rays emanating from him show that he is there. So I see it as two gods, indistinguishable from each other.
Not sure what the red and blue (royalty?) color of the coverings held, and worn, by the angels and the gods might mean. But they succeed in conveying the concept that the two deities and the two angels are engaged in the same Work and are now bestowing upon the first man and first woman the same role.
It would be interesting to know more about the artist’s background, life etc. and any record of responses to this painting. Did he paint others?
Thanks for your work! It’s greatly appreciated.
Very interesting. I was also wondering what instrument the other angel on the top left was holding. Thanks for your work.
One other thought: The constellations are clearly represented as creations of God. John Platt has done some excellent work showing that the constellations were a much older system of understanding (i.e. written about in the apocraphal Book of Enoch) that beautifully describe the mission of the Savior. This link gives further insight.
http://www.meridianmagazine.com/sci_rel/060823constellations.html
Some comments on the ‘clothing.’
1. Jehovah’s robe/cloak is being wrapped around Adam and Eve.
a. A cloak (meiyl Strongs 4596) is named for the act of covering (ma'al 4603 ), which also means 'a transgression' : thus Christ/Jehovah covers A&E before AND after their transgression: an eternal atonement (kaphar 3722 also means covering - as well as a WALLED village and a young lion) which is here being associated with marriage.
b. Hebrew sometimes uses the same word for cloak/skirt/garment and wing (kanaph 3671) : taking someone under your cloak or wing meant to take them into your tent or household, to offer them protection, and/or marriage / covenant : this may be the context of Ruth covering herself with Boaz's skirt(also kanaph) requesting marriage (Ruth 3: 7-9).
c. Having Jehovah/Christ under the same cloak may indicate that marriage involves three persons, husband, wife and the LORD.
d. See also Malachi 4:2 "the Sun/Son of Righteousness arising with healing in his wings" and Matt 23:37 "How oft would I have gathered you as a hen gathereth her chickens under her wings. . .”
2. The robe is blue, red and gold, the colors of the temple veil.
a. Since some see the veil as the mortal/physical body of Christ (passing thru the veil is then putting on or taking off that physical body : see Margaret Barker for this), this may depict the incarnation of both Adam and Eve AND Jehovah as Jesus. Note, then, marriage as a major purpose of this incarnation. Two CHERUBIM with wings are involved. Cherubim are woven into the veil and are upon the Ark of the Covenant in the Holy of Holies. Note that the Cherubim are on the FAR side of the veil, on the side the Father is on? Jehovah is depicted on the NEAR side with humans having condescended.
b. The red, blue and gold of the cloak suggests royalty/priesthood. Adam and Eve will later be clothed in a coat by Jehovah (Gen 3:21). The specific Hebrew word for this coat is ketonet 3801, the same garment given to Joseph (Gen 37:3), the Aaronic High Priest (Lev 8:7), and various OT kings and princesses. Is marriage thus being associated with being made kings/queens and priests?
Wow, those are some great insights Rebecca. Thank you for sharing them!
Bryce, This illuminati is fantastic! Thank you for finding it and sharing it. In my earlier days, I was an Art History major. I particularly have a passion for symbolism in art, so I may be able to contribute a few things of interest.
According to the Catholic Encylopedia, http://www.newadvent.org/cathen/06161b.htm – Fouquet is considered the master of 15th Century French Renaissance Art. Not a lot of detail remains of his personal life. However, he was very famous throughout Europe during his lifetime and studied in Italy. Much of his work was lost for centuries, and only recently are works being discovered and preserved. This particular print is from a book of twelve illustrated Bible scenes. So far, I have found one formal critique of this illustration. It is in French. I will have my husband translate it for us, and let you know any observations of interest.
Fouquet was the inventer of the art of “miniature” portraiture. His attention to fine detail and realism was marvelous. He loved bright colors and gold leafing. His particular techniques for overlay is a lost art now. Due to his paintings, historians have culled thousands of small details regarding the landscape and daily life of his time period. That said, he obviously was well aware of religious symbolism. The “Adam and Eve” print is stunning in it’s detail and symbolism . When you imagine all of this was placed upon a small page in a book no larger than 8×11, it is even more admirable! This is also important to keep in mind during analysis. Every detail that the painter chose to include would have taken careful planning. He was not just trying to “fill space” – as the space was precious. That means that each detail has particular symbolism and was considered VERY important to his story telling.
I would be particularly interested in reading the text below the photo – however it has been cut off in the photoscan. I have yet to be able to find a shot of the whole page anywhere online. It looks like it may include both French, and Latin.
The fountain being placed so centrally near Adam, Eve and Christ readily appears as a symbol of life – or, the “fountain of life”. It certainly reminds viewers of the command God gave them to multiply and replenish the earth – with all life beginning in the garden.
The central story being told in this illustration is the ceremonial joining of Adam and Eve. Thus, choosing the place the fountain in the center of the ceremony suggests that the water was a part of the ceremony itself.
I am particularly intrigued with the rainbow (power) emanating from God, which includes six interesting pictorial symbols within. My theory is that the symbols in the arch above Adam & Eve are representative of the gifts and commands that God is bestowing upon Adam & Eve during the ceremony. The two symbols highest or closest to God are a lobster, and a mortal man.
The lobster is a fascinating ancient symbol. In chapter ten of the book “Studies in Alice” by Marc Jones, he analyzes the symbolism of the Lobster [this is in specific reference to the Lobster Quadrille game in Alice in Wonderland, but can be applied to this pictorial as well]:
Thus, the lobster overhead in this pictograph is a symbol of the importance that GAINING EXPERIENCE will be from the mortal life in which Adam and Eve are now embarking upon together.
The lion, the bull, and the sun are popular symbols of life and resurrection. (lots could be written here on these) The deer, or lamb, are symbols of fertility and of Christ. If it is a lamb, it is also a symbol of sacrifice. The man and the woman among the animal symbols are very interesting.
The woman in the far right corner of the rainbow is holding a globe (most likely, a moon). There are many symbols of the divine feminine archetype but one of the most familiar in art is the Lunar Goddess. She is symbolic of the regenerative, life giving forces of Creation. In western culture, we refer to her as “mother nature”. She is the keeper of wisdom and power, and the spirit of both Earth and the Heavens. The Lunar Goddess represents the light within darkness and enlightenment from ignorance. She is also a symbol of regeneration / rebirth (i.e. ressurection). Notice how she is placed closest to the lion in the arch, as the lion is also a symbol of the divine male.
Hopefully the French critique I found will give us some additional clues regarding these important symbols. Either way, this is a fascinating work of art that could be studied for hours and hours – especially in light of LDS gospel principles and temple symbolism. Thank you for sharing it. (sorry for the length of my comment)
Thank you Mormon Soprano for all your added insight! It is fantastic!
I’ve also noted in similar pieces the use of the rainbow as a symbol for the veil, which would make sense in this case since man is separated by God at the top by the rainbow. So the figures depicted on the rainbow might be representative of the figures that were embroidered on the veil, i.e. cherubims (See Ex. 26:31; Ex. 36:35; 2 Chr. 3:14). The rainbow might also be symbolic of the covenant.
I wholeheartedly agree with the rainbow/veil/covenant symbolism!
I have found some additional information that may be of interest:
Paul Durrieu (1855-1925) is considered the Leading Historian of Medieval Art. In 1888 he was appointed assistant keeper at the Louvre where he was responsible for early French painting and book illumination. He began researching illuminated manuscripts, in which field he became a specialist and expert. He was author to numerous publications, books and essays. He himself was a collector of fifteenth-century manuscripts, early painting, and French tapestries. One of his essays is entitled: “Le temple de Jérusalem dans l’art français et flamand du XVe siècle” (The Temple of Jerusalem in French and Flemish Art of the 15th Century”). I am working on translating the entire essay. However, of interest is that Fouquet always used a Mideaval castle to represent the ancient temple.
Thus, from my initial study we can safely conclude that the castle surrounding the garden is meant to represent the ancient temple of Jerusalem. This serves as a symbol of the sacred nature of the ceremony taking place within the walls of the temple – and also this creates a beautiful image of the Garden of Eden being not only a Holy Space, and very literally the First Temple of God on earth.
As a side note, referencing my previous post, you will notice that the ocean completely surrounds the outside of the garden temple. The symbol of the ocean is life and knowledge (per Marc Jones above): “the sea is eternally the great supporting body of all experience.” Thus, in order to gain any experience, Adam and Eve must leave the safety of the garden temple, and venture out into the uncharted waters of life.
I found a scan of the entire page from a book entitled "Jehan Foucquet, native of Tours" by Trenchard Cox (page 88). You can see the full page image here. It is interesting to note that in this book the title of the illustration is "The Marriage of Adam and Eve."
I’ve added a few more examples from the same time period to the main post above. Apparently this iconography was somewhat popular in medieval France. I wonder what other examples are out there.
Very cool! Too bad I cannot make out the inscription. (combo of my old eyes and Fouquet’s old Latin) However isn’t it amazing the intricacies of the entire page? The details and precision are just incredible! Everything was done painstakingly by hand – it is a complete masterpiece.
I love the queen with her lady in waiting holding an infant sitting in the margin watching over the proceedings. Very interesting detail.
Excellent !- I was actually just getting ready to send to you the additions which you have now included! Like minds searching the internet…
What I particularly find fascinating in the Duvet engraving is that God is depicted wearing a bejeweled apron over his flowing robe – click on the detailed image shots found HERE
Wow…this picture truly could be studied for hours. I believe that we all need to pass through three veils of water in this life (birth, baptism, death and resurrection). This picture simply gives me more added insight into that thought process. Perhaps the symbol of the rainbow in correlation with the veil is that of the process of the “Son” reflecting through the water?
De-lurking to comment on one of my favorite works of art: I did much of my Masters (Art History) and PhD (Traditional Arts) research on symbols of the sacred in art, with a particular emphasis on the use of sacred geometry in art and architecture. I encountered and studied this illumination, but ran out of time to include it in my dissertation.
It is important to note that the figures arcing through the sky are not a random collection of symbols. They are the signs of the zodiac, of which we can only see the six spring and summer months (reading from left to right): Aries, Taurus, Gemini, Cancer, Leo and Virgo. The signs of the zodiac are richly laden with their own symbolism, and this span of it was undoubtedly carefully chosen by the artist. If you look closely, you can see that Gemini is represented by 2 figures, not one. And although Cancer is identified as “the crab,” medieval artists throughout both the Christian and Islamic worlds felt free to substitute another crustacean to represent the astrological sign.
While each of the zodiac signs can be interpreted in such a way that it points to Christ, perhaps this particular six month range was chosen because Aries, the Ram, is associated with the Easter season, and Virgo, the Virgin was associated with Mary. More importantly, it is only appropriate to show the birth of the world and the first marriage under the governance of the spring and summer seasons. (To instead show the signs of harvest, death, and dormancy would be obviously wrong here.) There are uncountable works of art contemporary with this one that rely on the symbols of the Zodiac to carry another level of meaning to the viewer.
I recommend turning to medieval sources for clues to the interpretation of this particular illumination to avoid reading things into it. Writings by theologians associated with School of Chartres, for example, would be a good place to start looking at era-appropriate (and geographically likely) influences on the theology and cosmology that inspired this beautiful illumination.
I do love the inclusion of Mary and the infant Christ in the margin, especially as it sets up an elegant parallel of the enclosed garden of Eden with Mary, thus foreshadowing the coming of the Savior. I am going to have to go back to my research to see if I have a color reproduction of the whole page!
There is one more masterpiece with the sacred handclasp:
Guillielmus PALUDANUS, The Garden of Eden or Love, 1567 –
http://www.wga.hu/art/p/paludanu/garden.jpg
And a picture with interesting aprons on Adam and Eve just before their expulsion from Eden:
Aureliano MILANI, Expulsion of Adam and Eve – http://www.wga.hu/art/m/milani/expulsio.jpg
Very interesting, thank you everyone for your insight!
In the Fouquet illumination, with my modern, LDS eye I see a division of sacred space and a model of our life’s journey.
-Perhaps the fish in sea represent Leviathan (Isaiah 27:1) … the forces of Chaos/Satan, who are allowed to come up from their depths to bite or tempt the children of Adam now swimming in the sea.
-The current fallen state of the world as a telestial realm is represented by the sea. While in sea we must have faith and hope in Christ to anchor us (Ether 12:4; James 1:6), and we must righteously direct our life as with a helm "in the time of a storm" (D&C 123:16).
-The Garden of Eden as a terrestrial realm is represented by the land and is protected from defilement by the castle wall.
-The Holy of Holies is represented by God in heaven. It is brought to earth by God himself to the midst/middle of the Garden. His robe acts as a veil to define the boundary of the most holy space. In such an intimate setting, exact obedience is required; there is no room to hide one's sins or pride! Adam and Eve are literally encircled about by God’s robe of righteousness in unity and at-one-ness (2 Nephi 4:33). In this place and condition the marriage covenant is made such that it may be binding on earth and in heaven.
This is the path of our return to the Father.
Look at the angel in the top left corner with the green robe. Someone commented it looks like he’s roasting a hot dog. Could that be a scepter in his hand? I just read the article about the Ankh (part 3). It has an image called “was” that looks very similar to what that angel has in his hands. It stands for power, dominion, and the priesthood. Makes perfect sense to have it in this painting.
Google Image: Creation of Eve. Note also how many hand & wrist grasping in these early to later Christian art works! Also, how that along side these are depictions of the pre-existence, that show the council in heaven, etc. God also weds Adam & Eve in these creation depictions too!
The Creation of Eve. Early 13th C. Illumination. Psalter of Saint Louis and Blanche of Castille. Paris, Bibliotheque de l’Arsenal, MS 1186, f. 10. P. D’Ancona & E. Aeschlimann. The Art of Illumination. London: Phaidon, 1969. plate 73
http://www.uvm.edu/~lbrought/eve–stlouis.gif
Nuremberg Chronicles, creation of Eve.
http://www.beloit.edu/nuremberg/book/images/Old%20Testament/small/Creation%20of%20Eve%20VIv.jpg
Creation of Adam (Ghiberti)
http://www.logoi.com/pastimages/img/creation_1.jpg
The Creation of Eve (Pisano)
http://www.logoi.com/pastimages/img/creation_2.jpg
Creation of Eve c.1530, Anonymous, Antwerp. MUSEE ST-DENIS, REIMS
http://www.churchtimes.co.uk/uploads/images/Story%202%239%23.jpg
Book of Hours of Louis of Orleans , creation of Eve.
http://www.moleiro.com/base.php?libro=LHLO&idioma=en