chinese

Nüwa and Fuxi in Chinese Mythology: Compass & Square

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An ancient painting of Nüwa and Fuxi unearthed in Xinjiang.

An ancient painting of Nüwa and Fuxi unearthed in Xinjiang, holding the tools of creation - compass and square.

Hugh Nibley gave a lecture in 1975 on “Sacred Vestments” which was later transcribed and included in the collected works volume Temple and Cosmos (pgs. 91-132).  The entire paper is fascinating, and highly recommended reading.  One of the things he wrote about were certain Chinese artifacts which had been found depicting two mythological gods, Nüwa and Fuxi, and the tools they hold:

Most challenging are the veils from Taoist-Buddhist tombs at Astana, in Central Asia, originally Nestorian (Christian) country, discovered by Sir Aurel Stein in 1925… We see the king and queen embracing at their wedding, the king holding the square on high, the queen a compass. As it is explained, the instruments are taking the measurements of the universe, at the founding of a new world and a new age. Above the couple’s head is the sun surrounded by twelve disks, meaning the circle of the year or the navel of the universe. Among the stars depicted, Stein and his assistant identified the Big Dipper alone as clearly discernable. As noted above, the garment draped over the coffin and the veil hung on the wall had the same marks; they were placed on the garment as reminders of personal commitment, while on the veil they represent man’s place in the cosmos. (pg. 111-12)

Nibley included drawings of this depiction found on veils in the Astana Tombs in Xinjiang, China, with a caption that reads:

In the underground tomb of Fan Yen-Shih, d. A.D. 689, two painted silk veils show the First Ancestors of the Chinese, their entwined serpect bodies rotating around the invisible vertical axis mundi.  Fu Hsi holds the set-square and plumb bob … as he rules the four-cornered earth, while his sister-wife Nü-wa holds the compass pointing up, as she rules the circling heavens.  The phrase kuci chü is used by modern Chinese to signify “the way things should be, the moral standard”; it literally means the compass and the square. (pg. 115)

See the photos at the end of the post for more examples of this icon.  The veil redrawn in Temple and Cosmos is shown photographed in the second row, fourth from the left.  [Read more…]

Taoist Philosophy in the LDS Temple

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Yin Yang

Yin Yang

I came across an article today in The Daily Utah Chronicle, a paper of the University of Utah. The article was published in 2006 by a member of the Church, Andrew Kirk, entitled, “Mormons ought to read Taoist scripture.” After having studied Chinese philosophy and religion in depth, particularly from the Taoist scripture Tao Te Ching, Kirk makes the statement that there are many similarities in the teachings between the two disciplines.

Mormons believe their church’s teachings come straight from God through prophets. LDS historians love to study how the teachings appear to be influenced heavily by the historical context of the teachers. I found ideas in the Tao Te Ching that agree with LDS Church teachings even though the historical contexts are as different as apples and orange xylophones.

The most interesting insight to me was what he said about temples: [Read more…]

Tian Tan – The Temple of Heaven

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Tian Tan

Tian Tan

In my readings on mudras I found other information on the Tian Tan, or Temple of Heaven, that I thought was interesting.

The Tian Tan is a Taoist temple in Beijing, China, and its construction dates back to the fifteenth century when it was originally named the Temple of Heaven and Earth. This temple has been used for Chinese worship in year-rites, prayer ceremonies, harvest ceremonies, and sacrifices for several centuries.

A description of some of the traditional ceremonial activities that took place here is interesting:

In ancient China, the Emperor of China was regarded as the Son of Heaven, who administered earthly matters on behalf of, and representing, heavenly authority. To be seen to be showing respect to the source of his authority, in the form of sacrifices to heaven, was extremely important. The temple was built for these ceremonies, mostly comprising prayers for good harvests.

Twice a year the Emperor and all his retinue would move from the Forbidden city through Beijing to encamp within the complex, wearing special robes and abstaining from eating meat. No ordinary Chinese was allowed to view this procession or the following ceremony. In the temple complex the Emperor would personally pray to Heaven for good harvests. The highpoint of the ceremony at the winter solstice was performed by the Emperor on the Earthly Mount. The ceremony had to be perfectly completed; it was widely held that the smallest of mistakes would constitute a bad omen for the whole nation in the coming year. ((http://en.wikipedia.org/wiki/Temple_of_Heaven))

In these practices I see a belief in priesthood-like vicarious authority, temple prayer worship, cosmology, special ceremonial clothing, esotericy, worthiness requirements, perfect performance of rites, and even a practice which recalls the Word of Wisdom. Could this all be coincidence? Or did these things stem from something more ancient?