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Temple the Source of All Civilization

March 20, 2008 by Bryce Haymond 5 Comments

Hugh Nibley in 2000Professor Hugh Nibley often taught that the temple was the source of many of the institutions, forms, and trappings of our modern-day society. He once remarked:

There is no part of our civilization which doesn’t have its rise in the temple. ((Hugh Nibley, Don E. Norton, Temple and Cosmos: Beyond This Ignorant Present, 25.))

Nibley also made the comments:

So poetry, music, and dance go out to the world from the temple-called by the Greeks the Mouseion, the shrine of the Muses. ((ibid., 23.))

And:

All the arts and sciences began at the temple. Dance, music, architecture, sculpture, drama, and so forth-they all go back to the temple. ((Nibley, Hugh, and Gary P. Gillum. Of all Things!: Classic Quotations from Hugh Nibley. 2nd, rev. and expand ed. Salt Lake City, Utah; Provo, Utah: Deseret Book Co.; Foundation for Ancient Research and Mormon Studies, 1993, 45.))

The more I study the temple the more I am convinced of these statements. I have found evidence for the temple in language, literature, poetry, dance, music, theater, drama, education, custom, astronomy, architecture, art, science, politics, and of course in the many religions of the world. Even our daily personal patterns of awakening, opening our eyes, arising, washing ourselves, getting dressed, eating breakfast, working out our salvation while the day of probation lasts, then going to sleep and awaiting to arise the next morning clearly has connections with the temple.

In what patterns of our civilization do you see the temple?

Posted in: Scholarship Tagged: civilization, greek, hugh nibley, muses, origin, pattern, rituals, society, source

The Origin of the Letter “E”

February 17, 2008 by Bryce Haymond 3 Comments
Letter E

Letter E

The Encyclopedia Britannica reports what is speculated to be the origin of the letter “E” in our modern alphabet:

The letter E may have started as a picture sign of a man with arms upraised, as in Egyptian hieroglyphic writing (1) and in a very early Semitic writing used in about 1500 BC on the Sinai Peninsula (2). The sign meant “joy” or “rejoice” to the Egyptians. In about 1000 BC, in Byblos and in other Phoenician and Canaanite centers, the sign was given a linear form (3), the source of all later forms. . . . (( “E, e.” Student’s Encyclopædia. 2008. Britannica Student Encyclopædia. 17 Feb. 2008. <http://student.britannica.com/comptons/article-9274097>.))

Wikipedia corroborates the same source:

E is derived from the Greek letter epsilon which is much the same in appearance (Ε, ε) and function. In etymology, the Semitic hê probably first represented a praying or calling human figure (hillul jubilation), and was probably based on a similar Egyptian hieroglyph that was pronounced and used quite differently. In Semitic, the letter represented /h/ (and /e/ in foreign words), in Greek hê became Εψιλον (Epsilon) with the value /e/. Etruscans and Romans followed this usage. ((“E”. Wikipedia. <http://en.wikipedia.org/wiki/E>.))

The more I learn the more I’m convinced of Nibley’s striking statement, “All the arts and sciences began at the temple. Dance, music, architecture, sculpture, drama, and so forth—they all go back to the temple” ((Nibley, Hugh, and Gary P. Gillum. Of all Things!: Classic Quotations from Hugh Nibley. 2nd, rev. and expand ed. Salt Lake City, Utah; Provo, Utah: Deseret Book Co.; Foundation for Ancient Research and Mormon Studies, 1993, 45)).

Posted in: Practices, Texts Tagged: egyptian, etymology, hieroglyph, letter e, origin, prayer circle, praying, signs, uplifted hands
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