Professor Hugh Nibley often taught that the temple was the source of many of the institutions, forms, and trappings of our modern-day society. He once remarked:
There is no part of our civilization which doesn’t have its rise in the temple. ((Hugh Nibley, Don E. Norton, Temple and Cosmos: Beyond This Ignorant Present, 25.))
Nibley also made the comments:
So poetry, music, and dance go out to the world from the temple-called by the Greeks the Mouseion, the shrine of the Muses. ((ibid., 23.))
And:
All the arts and sciences began at the temple. Dance, music, architecture, sculpture, drama, and so forth-they all go back to the temple. ((Nibley, Hugh, and Gary P. Gillum. Of all Things!: Classic Quotations from Hugh Nibley. 2nd, rev. and expand ed. Salt Lake City, Utah; Provo, Utah: Deseret Book Co.; Foundation for Ancient Research and Mormon Studies, 1993, 45.))
The more I study the temple the more I am convinced of these statements. I have found evidence for the temple in language, literature, poetry, dance, music, theater, drama, education, custom, astronomy, architecture, art, science, politics, and of course in the many religions of the world. Even our daily personal patterns of awakening, opening our eyes, arising, washing ourselves, getting dressed, eating breakfast, working out our salvation while the day of probation lasts, then going to sleep and awaiting to arise the next morning clearly has connections with the temple.
In what patterns of our civilization do you see the temple?
A few days ago I 