Artifacts

Newport Beach California Temple Interiors Video

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Here is yet another excellent temple video, this time of the interior of the Newport Beach California Temple. It was compiled by a member of the church, mikebatie on YouTube, from official photos published by the Church, taken probably during the time of the open house of the temple before the dedication. The temple in Newport Beach was announced on April 21, 2001. The groundbreaking was on August 15, 2003. After a several week open house to the public, President Hinckley dedicated the temple on August 28, 2005. See the Google Maps Street View of this temple.

An interesting anecdote of the placement of the angel Moroni during construction comes from LDSChurchTemples.com:

On January 13, 2005, a statue of the angel Moroni crowned the temple. During placement, a remarkable solar halo was visible, which surrounded the sun. Once Moroni was in place, the phenomenon dissipated. ((http://www.ldschurchtemples.com/newportbeach/, “Topping the Temple,” Los Angeles Times 14 Jan. 2005: B3.))

The excellent music is entitled “The Power of Heaven,” with words and music by Steven Kapp Perry, arranged by Greg Hansen, and from the 1999 album “As Temples Fill the Earth.” The vocalist is Tammy Simister Robinson. You can buy the album at the BYU Bookstore or at Deseret Book.

To see the other videos I’ve posted on Temple Study, see the video tag.

Olivewood: A Singular Bookstore

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I can’t remember where I originally heard about the new Olivewood bookstore. It may have been in the Bloggernacle somewhere – perhaps FAIR. In any case, I had heard enough about this store that I decided that I had to visit it. It is located at 3330 N University Ave. Suite C in Provo, next to Magelby’s Fresh. I had some spare time a couple weeks ago, so I stopped by. I’m glad I did! [Read more…]

King Charlemagne in Royal Apparel

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Coin of Charles the Great (ca. 742-814 A.D.)

This unique coin is from sometime between 742 and 814 A.D. and depicts Charles the Great, also known as Charlemagne, arrayed in his royal apparel. Matthew Brown describes it thus:

…wearing a crown, a pleated robe, and an apron that is decorated with a tree. The king also holds the sword, which in ancient times was regarded as a royal weapon. ((Matthew Brown, The Gate of Heaven, 127.))

Diane Wirth, a writer and lecturer on Mesoamerican iconography, describes the design on this apron as the “Tree of Life” ((Diane Wirth, “The King and the Tree of Life: Evidence of Pre-Columbian Contact,” 2003 BMAF Conference, <http://www.bmaf.org/page.php?cmd=view&id=57>.)). Brown corroborates when he says that the king himself, in the ancient Near East, was often seen as a “personification of that tree” ((Matthew Brown, Girded About with a Lambskin, FARMS, <http://farms.byu.edu/display.php?id=149&table=jbms>.)).

Brown continues that “Since the king of Israel was considered to be the personification of Adam…, we might ask whether his apron somehow imitated the fig leaf apron that was worn by Adam (see Genesis 3:7)” ((Matthew Brown, The Gate of Heaven, 150)). Furthermore, “ancient Hebrew legends . . . taught that the tree of knowledge of good and evil was a fig tree and it was from this tree’s leaves that Adam constructed his apron” ((Matthew Brown, Girded About with a Lambskin, FARMS, <http://farms.byu.edu/display.php?id=149&table=jbms>.)).

Another image of Emperor Charlemagne (see figure 297) likewise shows him wearing such plantlife iconography, whether trees or leaves, upon his breast ((Paul Lacroix, Manners, Custom and Dress During the Middle Ages and During the Renaissance Period, <http://www.gutenberg.org/files/10940/10940-h/10940-h.htm>.)).

Early Byzantine Veil with Gammadia

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Early Byzantine Veil in Agios Eleftherios church, AthensLast night a reader referenced me to what appears to be a new blog by Bill Hamblin, a well-known LDS scholar and Associate Professor of History at BYU, and particularly about a post of his of a couple week ago. Dr. Hamblin talks about early Byzantine veils, and especially one that he has photographs of in an old church, the Agios Eleftherios, in Athens.

We have examined the iconostasis on this blog previously, an icon wall which stemmed from an earlier chancel screen or templon, a barrier or partition which separated the holy area where only the priests could go from the area of the laity.

This ancient Athens church retains its original chancel screen, including a curtain or veil. This veil is particularly interesting in that it includes the original gammadia marks, right-angled symbols like the Greek letter gamma (Γ), which we’ve also mentioned before. As Dr. Hamblin notes, these gammadia were often used to mark veils, altar cloths, and priestly robes in early Byzantine Christianity. Almost all of these veils have now been replaced by iconostases in modern churches.

Read the whole post at Bill Hamblin’s Things Unutterable. Thanks Reed!

Crowns with Strings, Ribbons, & Lappets

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Ancient Crowns: (left to right) Assyrian (Sennacherib), Assyrian (Sardanapalus III), Syrian (Tigrames), Assyrian (Nineveh), Persian (Persepolis). From www.bible-history.com/sketches/ancient/crowns.html

Ancient Crowns: (left to right) Assyrian (Sennacherib), Assyrian (Sardanapalus III), Syrian (Tigrames), Assyrian (Nineveh), Persian (Persepolis). From www.bible-history.com/sketches/ancient/crowns.html

There is an interesting passage, of many, in Matthew Brown’s study of the temple, The Gate of Heaven, that caught my attention with regard to ancient crowns:

It is not known exactly what type of crown was worn by the Israelite kings, but we do know that the high priest of the temple wore a crown of pure gold. A single cord, string, or line (pathil) was used to secure the golden crown of the high priest onto the front of his white linen headress (see Exodus 28:36-38; Leviticus 8:9). This particular cord was dyed blue (see Exodus 28:36-37), suggesting by its color that it was symbolic or royal or heavenly status. It is presumed that this cord was tied off at the back of the head and its excess end or ends hung down freely. Perhaps a parallel can be seen in the long, decorated ribbons or lappets that are so often depicted hanging from the back or sides of the crowns that were worn by the ancient kings of Assyria, Egypt, and other Near Eastern nations. ((Matthew Brown, The Gate of Heaven, 129.))

Brown adds a detail about these crowns in a fascinating note taken from Spencer J. Palmer’s book Deity and Death:

The kings of India participated in a ceremony called the rajasuya in order that they might obtain access to heaven. “The rajasuya is without doubt an ascension ritually accomplished. The very first element of it is the prayaniya, a term which translates into ‘ascension’ . . . The king is clothed in sacred garments (‘The garment is connected with all the gods,’ says an ancient text); the garments are said to be marked in special ways, representative of the ceremony undertaken by the king. The garment consists of several parts, one of which is worn on the head (Widengren’s crown), the ends of which are tied into the upper garment. Throughout the ritual the king is called by the name of the various gods whom he is impersonating. He is taken back into primordial time and performs the same functions symbolically which the gods and the first king did at that time, by virtue of which they obtained heaven…” ((Matthew Brown, The Gate of Heaven, 151-152.))

I was curious what a “lappet” was. Wikipedia’s definition:

A lappet is a decorative flap or fold in a ceremonial headdress or garment… They remain strongly associated with religion. A bishop’s mitre has two lappets (infulæ) sewn to the back of it. The most famous usage of lappets occurs on the Papal Tiara.