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Liveblog: Third Nephi Conference at BYU

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This is a liveblog of the conference entitled “Third Nephi: New Perspectives on an Incomparable Scripture,” which is taking place at Brigham Young University on September 26-27, 2008, from 6:30pm on the 26th to about noon on the 27th.  See my previous post on the subject, or the program of the conference here.  Note: Those reading this in an RSS feed or an email will have to visit TempleStudy.com to see the liveblog feed below.  Press the play button below to load the liveblog. In the liveblog window, you can participate live with me by entering your name, your question/comment, and clicking on send.  Enjoy!

Videos: Mormon Theology Seminar Conference on Alma 32

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These are videos of the presentations given at the Mormon Theology Seminar’s Conference entitled “An Experiment on the Word: Reading Alma 32.”  It was held from 9am-4pm on Friday, September 19th, 2008 in B192 of the Joseph F. Smith Building on BYU campus.  I introduced my liveblogging this conference here.

Unfortunately, I did not have a good wireless signal in the conference room, and so the quality of these videos is poor, being broken into parts and some are missing.  But I learned a great deal about what to change for my next liveblogging/broadcasting to make it much better, so in that way it was beneficial.

Julie Smith:
Part 1

James Faulconer:
it failed to record, unfortunately

Adam Miller:
Part 1, Part 2, Part 3, Part 4, Part 5

Jenny Webb:
Part 0, Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8

Joseph Spencer:
Part 1, Part 2, Part 3

Robert Couch:
Part 1

Nüwa and Fuxi in Chinese Mythology: Compass & Square

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An ancient painting of Nüwa and Fuxi unearthed in Xinjiang.

An ancient painting of Nüwa and Fuxi unearthed in Xinjiang, holding the tools of creation - compass and square.

Hugh Nibley gave a lecture in 1975 on “Sacred Vestments” which was later transcribed and included in the collected works volume Temple and Cosmos (pgs. 91-132).  The entire paper is fascinating, and highly recommended reading.  One of the things he wrote about were certain Chinese artifacts which had been found depicting two mythological gods, Nüwa and Fuxi, and the tools they hold:

Most challenging are the veils from Taoist-Buddhist tombs at Astana, in Central Asia, originally Nestorian (Christian) country, discovered by Sir Aurel Stein in 1925… We see the king and queen embracing at their wedding, the king holding the square on high, the queen a compass. As it is explained, the instruments are taking the measurements of the universe, at the founding of a new world and a new age. Above the couple’s head is the sun surrounded by twelve disks, meaning the circle of the year or the navel of the universe. Among the stars depicted, Stein and his assistant identified the Big Dipper alone as clearly discernable. As noted above, the garment draped over the coffin and the veil hung on the wall had the same marks; they were placed on the garment as reminders of personal commitment, while on the veil they represent man’s place in the cosmos. (pg. 111-12)

Nibley included drawings of this depiction found on veils in the Astana Tombs in Xinjiang, China, with a caption that reads:

In the underground tomb of Fan Yen-Shih, d. A.D. 689, two painted silk veils show the First Ancestors of the Chinese, their entwined serpect bodies rotating around the invisible vertical axis mundi.  Fu Hsi holds the set-square and plumb bob … as he rules the four-cornered earth, while his sister-wife Nü-wa holds the compass pointing up, as she rules the circling heavens.  The phrase kuci chü is used by modern Chinese to signify “the way things should be, the moral standard”; it literally means the compass and the square. (pg. 115)

See the photos at the end of the post for more examples of this icon.  The veil redrawn in Temple and Cosmos is shown photographed in the second row, fourth from the left.  [Read more…]

The Seal of Melchizedek – Part 4

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Satellite Photo of the San Diego California Temple with the "Seal of Melchizedek" overlayed 13 times

Satellite photo of the San Diego California Temple with the “Seal of Melchizedek” overlayed 13 times.  I particularly like the symbol used in the skylight of the atrium in the center of the temple.

(Continued from Part 3)

To continue my research I wanted to know as accurately as possible the story about this symbol, the “seal of Melchizedek,” as it was used in the San Diego Temple.  I couldn’t find a good account online, so I decided to go to the source.  Who better would know than the design architect of the temple?  So I gave him a call.  [Read more…]

The Seal of Melchizedek – Part 2

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Detail from a mosaic in the Basilica of San Vitale, Ravenna, Italy.

Detail from a 6th century mosaic in the Basilica of San Vitale, Ravenna, Italy.

(Continued from Part 1)

As you might have imagined, the first thing I did when my parents told me the story of the “seal of Melchizedek” on the San Diego temple, and of the connection with Hugh Nibley, I immediately did some searches to see if I could find if it was referenced in LDS literature.  The only reference I found was an image caption in the article “Sacred Vestments” in the book Temple and Cosmos:

Another Ravenna mosaic, c. A.D. 520, shows the priest-king Melchizedek in a purple cloak, offering bread and wine at the altar (Genesis 14:18-20).  The white altar cloth is decorated with two sets of gammadia, as well as the so-called “seal of Melchizedek,” two interlocked squares in gold.  Abel offers his lamb as Abraham gently pushes Isaac forward.  The hand of God reaches down to this sacred meeting through the red veils adorned with golden gammadia on either side.  The theme is the great sacrifice of Christ, which brings together the righteous prophets from the past as well as the four corners of the present world, thereby uniting all time and space. (Nibley, “Sacred Vestments,” Temple and Cosmos, 109.)

The drawing of the mosaic by Michael Lyon shown in Temple and Cosmos is from a basilica in Ravenna, Italy, called Sant’Apollinare in Classe.  This is the best color photograph of this mosaic I could find:  [Read more…]