creation

The Importance of Temple Work

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The sealing power has been compared to links in a chain which bind families together eternally.

The sealing power is compared to links in a chain which bind families together eternally all the way back to our father Adam.

Last week I was asked by our bishop to present a 10-15 minute portion of a lesson today on the importance of temple work in our combined priesthood/relief society meeting.

Our stake is preparing for a “temple month” theme for January, and our meeting today was meant to inspire us to be thinking about family history, genealogy and temple work and to do more of it.  Our bishop wanted me to present some general information about the reason for the temple and why the work performed there is of such supernal import. After my part of the lesson, two sisters were to give instruction on family history work, FamilySearch, indexing, and preparing and submitting names to the temple.

Since I only had about 10 minutes, I considered carefully what I wanted to present to introduce this topic.  Below are the notes from my portion of the lesson:  [Read more…]

Nüwa and Fuxi in Chinese Mythology: Compass & Square

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An ancient painting of Nüwa and Fuxi unearthed in Xinjiang.

An ancient painting of Nüwa and Fuxi unearthed in Xinjiang, holding the tools of creation - compass and square.

Hugh Nibley gave a lecture in 1975 on “Sacred Vestments” which was later transcribed and included in the collected works volume Temple and Cosmos (pgs. 91-132).  The entire paper is fascinating, and highly recommended reading.  One of the things he wrote about were certain Chinese artifacts which had been found depicting two mythological gods, Nüwa and Fuxi, and the tools they hold:

Most challenging are the veils from Taoist-Buddhist tombs at Astana, in Central Asia, originally Nestorian (Christian) country, discovered by Sir Aurel Stein in 1925… We see the king and queen embracing at their wedding, the king holding the square on high, the queen a compass. As it is explained, the instruments are taking the measurements of the universe, at the founding of a new world and a new age. Above the couple’s head is the sun surrounded by twelve disks, meaning the circle of the year or the navel of the universe. Among the stars depicted, Stein and his assistant identified the Big Dipper alone as clearly discernable. As noted above, the garment draped over the coffin and the veil hung on the wall had the same marks; they were placed on the garment as reminders of personal commitment, while on the veil they represent man’s place in the cosmos. (pg. 111-12)

Nibley included drawings of this depiction found on veils in the Astana Tombs in Xinjiang, China, with a caption that reads:

In the underground tomb of Fan Yen-Shih, d. A.D. 689, two painted silk veils show the First Ancestors of the Chinese, their entwined serpect bodies rotating around the invisible vertical axis mundi.  Fu Hsi holds the set-square and plumb bob … as he rules the four-cornered earth, while his sister-wife Nü-wa holds the compass pointing up, as she rules the circling heavens.  The phrase kuci chü is used by modern Chinese to signify “the way things should be, the moral standard”; it literally means the compass and the square. (pg. 115)

See the photos at the end of the post for more examples of this icon.  The veil redrawn in Temple and Cosmos is shown photographed in the second row, fourth from the left.  [Read more…]

Another Video Preview of the New Twin Falls Temple

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Here is another media preview of the new Twin Falls Temple that comes from Local News channel 8 in Idaho Falls and Pocatello Idaho. It gives more details concerning the murals in the garden room, painted by Rexburg artist Leon Parson. Parson skillfully included the Idaho Shoshone Falls in the depiction of the creation in these murals. Please forgive the commercial at the beginning of the clip.

The Genesis of the Round Dance – Part 5

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Left - Prearchaic dance circle, 9th c. BC. Olympia. Right - 5th-3rd c. BC circle of dancers, with avlos player inside.

Left - Prearchaic dance circle, 9th c. BC. Olympia. Right - 5th-3rd c. BC circle of dancers, with avlos player inside.

(Continued from Part 4)

Religion and Dance

Many scholars have described dance in terms of religion. Kraus describes it among the ancients as being used “as a means of communication with the forces of nature – for becoming one with the gods,” and as “a major form of religious ritual . . . a means of worship” ((Kraus, Richard G., Sarah Chapman Hilsendager, and Brenda Dixon Gottschild. History of the Dance in Art and Education. 3rd ed. Englewood Cliffs, N.J.: Prentice Hall, 1991, 19, 28)). Curt Sachs tells us that dance was a way to “bridge the chasm between this and the other world” of the Gods ((qtd. in Ellfeldt, Lois. Dance, from Magic to Art. Dubuque, Iowa: W. C. Brown Co., 1976, 14)). Ellfeldt states that there is no primitive group in the world that does not have a strong ceremonial culture, and very few of these ceremonies that do not have dances associated with them ((ibid., 32)). Why do we not know more about these ritual dances? With the Egyptians, Ellfeldt tells us that it is because of the extreme secrecy “with which the priests guarded their dances . . . transmitting their rules by word of mouth” ((ibid., 55)). These dances were sacred, deeply symbolic rituals which were purposefully kept esoteric, only revealed to those “initiates” which participated in them. [Read more…]

1 Nephi 1:1 – Temple Symbolism

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This first scripture is, no doubt, the most read scripture in all the Church, and possibly the most read from the LDS canon outside of the Church. Members of the Church have all read this scripture over and over as they begin reading the Book of Mormon and recommit to daily scripture study and finishing the Book of Mormon. We are familiar with the honor Nephi bestows upon his parents, his telling of the afflictions he suffered throughout his life, the way the Lord favored Nephi and blessed him greatly, and thus Nephi begins his record. This first verse of the Book of Mormon could probably be recited from memory by most members of the Church because of its frequent repetition. But did you know that this first verse, indeed the entire small plates of Nephi, might have overarching temple themes?
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