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The Seal of Melchizedek – Part 5

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The seal of Melchizedek as seen on the entrance doors of the Salt Lake Temple

The seal of Melchizedek as seen on the entrance doors of the Salt Lake Temple. (Click for larger view)

(Continued from Part 4)

It’s been a long time coming, since September 2008 to be exact, and I’d like to finally complete this series of posts on the seal of Melchizedek.  It is probably one of the most trafficked series of posts on this website.  It’s drawn a lot of attention, and may have even been part of what compelled a BYU scholar, Alonzo L. Gaskill, to publish an article about it in The Religious Educator at BYU in 2010, which article I’d like to talk about.

But first, there are a few other artifacts related to the symbol that I’d like to share.  As I pointed out in Part 2, this seal is most prominently found as displayed in the mosaics and iconography in the basilicas of Ravenna, Italy.  Indeed, this is very likely where Hugh Nibley saw this symbol originally, as perhaps did Michael Lyon, and where he may have coined the name the “seal of Melchizedek.”  The symbol is shown on the altar cloths in these mosaics, shown next to Melchizedek, Abel, and Abraham, in making sacrificial offerings to God.  The altar cloth also shows gammadia in the corners, right-angle marks like the Greek letter gamma, which is also very interesting, and worthy of a study in and of itself.

To begin, I want to note again that to date I have not found any evidence for this symbol being called the “seal of Melchizedek” by any other scholar, historian, or historical figure in recorded history before Hugh Nibley and Michael Lyon.  That doesn’t mean it doesn’t exist, but it is likely a conception that began with the Latter-day Saints, making a logical connection between the symbol and the Biblical figure found adjacent to it in the mosaics. [Read more…]

Ancient markings excavated in Jerusalem stump experts

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20111209-215557.jpg

Matti Friedman of the Associated Press published news about a recent excavation in the City of David in Jerusalem, near the Gihon Spring. The excavation revealed an interesting set of markings carved into the stone floor of a room, and expert archeologists cannot determine what their meaning or use was. The markings consist of three “V” marks, or perhaps gammadia “Γ,” although one is inverted from the other two, plus a straight line mark. They date to about 800 B.C. [Read more…]

Prayer Circles and the Power of Group Thinking in Dan Brown’s ‘The Lost Symbol’

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Book Cover

Book Cover

(This is a continuation of my thoughts about The Lost Symbol from my previous post.)

One of the themes taken up again and again in Dan Brown’s latest novel The Lost Symbol is the idea of power in group thinking and concentration.  Katherine’s character in particular is engaged in the scientific study of producing physical changes through the power of group thought and concentrated collective intention.  In connection with this, the practice of prayer circles is brought up:

The shocking discovery, it seemed, paralleled the ancient spiritual belief in a “cosmic consciousness”—a vast coalescing of human intention that was actually capable of interacting with physical matter. Recently, studies in mass meditation and prayer had produced similar results in Random Event Generators, fueling the claim that human consciousness, as Noetic author Lynne McTaggart described it, was a substance outside the confines of the body . . . a highly ordered energy capable of changing the physical world. ((Page 56))

In another place, Brown continues:

Galloway knew, of course, that one needn’t go to a lab to witness proof of this bold new idea, this proposal of man’s untapped potential. This very cathedral held healing prayer circles for the sick, and repeatedly had witnessed truly miraculous results, medically documented physical transformations. The question was not whether God had imbued man with great powers . . . but rather how we liberate those powers. ((Page 313-314))

And again:

Katherine smiled down at him. “We have scientifically proven that the power of human thought grows exponentially with the number of minds that share that thought.”

Langdon remained silent, wondering where she was going with this idea.

“What I’m saying is this . . . two heads are better than one . . . and yet two heads are not twice better, they are many, many times better. Multiple minds working in unison magnify a thought’s effect . . . exponentially. This is the inherent power of prayer groups, healing circles, singing in unison, and worshipping en masse.” ((Page 504))

Prayer circles have been defined as where participants join hands in a circle of prayer, often as part of a vigil ((Wikipedia – Prayer Circle. http://en.wikipedia.org/wiki/Prayer_circle)).   Such circles have existed for a very long time (see my paper “The Genesis of the Round Dance“).  They are witnessed today in even the simplest act of joining hands around the dinner table while saying grace.  Hugh Nibley wrote extensively about their use in early Christianity in his paper “The Early Christian Prayer Circle.”  In that paper he said:  [Read more…]

The Traditional Greek Folk Dances and their Ancient Roots

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San Joaquin Delta College Hellenic Dancers doing the Greek Syrtos dance at the school's new campus dedication in 1977. They wear the traditional Greek folk dance costume. A musician is playing a Thracian gaida in the center of the circle. Used by permission.

San Joaquin Delta College Hellenic Dancers doing the Greek Syrtos dance at the school's new campus dedication in 1977. They wear the traditional Greek folk dance costume. A musician is playing a Thracian gaida in the center of the circle, leading the dance. Used with permission.

When I originally wrote my paper on “The Genesis of the Round Dance,” I included a short section on the ancient Greek dance forms:

The ancient choruses, dances, and songs of the dithyramb of Greece displayed the familiar pattern of a dignified, circular dance around the altar of Dionysus in the theater’s orchestra. In fact, the term orchestra originally meant the circular dancing place of the theater. In addition, the terms carole and chorus, also originally Greek, meant a sacred ring dance, men and women holding each others hands [other related English words are chorale, choir, and choreography]. LDS scholar, Dr. Hugh Nibley, reminds us that the creation was often acted out in these Greek dance dramas:

The Greek play has a chorus. Well what does chorus mean? It’s a ring dance; it’s a circle. Same as our word curve; Latin: curvus; going around. The chorus sings, and the chorus of the muses sings the poiema, the creation song . . . When they sing together, it’s the poiema, the song of the creation. It’s a glorious thing. It’s a round dance like the Egyptian maypole.

Nibley takes it one step further to explain that all the arts originated from the ancient temple dramas. “So poetry, music, and dance,” he tells us, “go out to the world from the temple-called by the Greeks the Mouseion, the shrine of the Muses.” Again he states that, “All the arts and sciences began at the temple. Dance, music, architecture, sculpture, drama, and so forth-they all go back to the temple.” Kraus supports this claim of a ritualistic connection between the arts when he informs us that Native American ceremonies and sacred dances are “part of an elaborate drama which embraces all the arts.” ((http://www.templestudy.com/2008/02/01/the-genesis-of-the-round-dance-part-3/))

The more one learns about the arts, the more one is convinced of Nibley’s stunning summation.

I want to expand a bit more on the traditional Greek dance forms, and share some more interesting details I’ve learned about these ancient practices that still are continued today.  [Read more…]