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The Greek Folk Dances: A Reprise

July 17, 2012 by Bryce Haymond 1 Comment
A Greek folk-dance group performs the horo in front of the Olympic Velodrome at the Olympic Complex in Athens during the Games of 2005. (Louisa Gouliamaki/AFP/Getty Images)

A Greek folk-dance group performs the horo in front of the Olympic Velodrome at the Olympic Complex in Athens, Greece, during the Games of 2005. (Louisa Gouliamaki/AFP/Getty Images)

Hugh Nibley once made this audacious claim: “All the arts and sciences began at the temple. Dance, music, architecture, sculpture, drama, and so forth – they all go back to the temple” ((Nibley, Hugh, and Gary P. Gillum. Of all Things!: Classic Quotations from Hugh Nibley. 2nd, rev. and expand ed. Salt Lake City, Utah; Provo, Utah: Deseret Book Co.; FARMS, 1993, 45)).  The more I learn, the more I am convinced of that statement.

My mind returns again to posts I’ve written in the past about subjects that do not cease to fascinate me.  Today I was reminded of a post in 2009, The Traditional Greek Folk Dances and their Ancient Roots.  The Greek dances are some of the most ancient dances in the world, and have been passed down by tradition to the present day where they maintain many of their archaic forms.   [Read more…]

Posted in: Practices Tagged: apron, art, BYU, cap, clothing, coat, crown, dance, greece, greek, hands, harold b. lee, hugh nibley, literature, music, origin, photos, poem, protection, rite, robe, robes, round dance, science, tree of life, white

The Traditional Greek Folk Dances and their Ancient Roots

September 8, 2009 by Bryce Haymond 11 Comments
San Joaquin Delta College Hellenic Dancers doing the Greek Syrtos dance at the school's new campus dedication in 1977.  They wear the traditional Greek folk dance costume.  A musician is playing a Thracian gaida in the center of the circle.  Used by permission.

San Joaquin Delta College Hellenic Dancers doing the Greek Syrtos dance at the school's new campus dedication in 1977. They wear the traditional Greek folk dance costume. A musician is playing a Thracian gaida in the center of the circle, leading the dance. Used with permission.

When I originally wrote my paper on “The Genesis of the Round Dance,” I included a short section on the ancient Greek dance forms:

The ancient choruses, dances, and songs of the dithyramb of Greece displayed the familiar pattern of a dignified, circular dance around the altar of Dionysus in the theater’s orchestra. In fact, the term orchestra originally meant the circular dancing place of the theater. In addition, the terms carole and chorus, also originally Greek, meant a sacred ring dance, men and women holding each others hands [other related English words are chorale, choir, and choreography]. LDS scholar, Dr. Hugh Nibley, reminds us that the creation was often acted out in these Greek dance dramas:

The Greek play has a chorus. Well what does chorus mean? It’s a ring dance; it’s a circle. Same as our word curve; Latin: curvus; going around. The chorus sings, and the chorus of the muses sings the poiema, the creation song . . . When they sing together, it’s the poiema, the song of the creation. It’s a glorious thing. It’s a round dance like the Egyptian maypole.

Nibley takes it one step further to explain that all the arts originated from the ancient temple dramas. “So poetry, music, and dance,” he tells us, “go out to the world from the temple-called by the Greeks the Mouseion, the shrine of the Muses.” Again he states that, “All the arts and sciences began at the temple. Dance, music, architecture, sculpture, drama, and so forth-they all go back to the temple.” Kraus supports this claim of a ritualistic connection between the arts when he informs us that Native American ceremonies and sacred dances are “part of an elaborate drama which embraces all the arts.” ((http://www.templestudy.com/2008/02/01/the-genesis-of-the-round-dance-part-3/))

The more one learns about the arts, the more one is convinced of Nibley’s stunning summation.

I want to expand a bit more on the traditional Greek dance forms, and share some more interesting details I’ve learned about these ancient practices that still are continued today.  [Read more…]

Posted in: Artifacts, Practices Tagged: altar, ancients, apron, art, circle, clothing, coat, dance, garments, greece, greek, hands, marriage, muses, photographs, robe, round dance, song, traditions, tree of life

Joseph’s Coat of Many Marks

March 24, 2008 by Bryce Haymond 7 Comments

Diego Velázquez, Joseph’s Bloody Coat Brought to Jacob; 1630, Oil on canvas, Monastery of San Lorenzo de El Escorial

Genesis 37 recounts the story of when Jacob gave a special coat to his son Joseph, which was said to have “many colours.” Later, Joseph was sold into Egypt by his brothers, his coat stripped from him, and returned to his father Jacob. Hugh Nibley gives us some interesting insight into this episode, and the special coat that Jacob gave Joseph. Apparently, Andrew Lloyd Webber was mistaken, as well as a number of other modern commentators: [Read more…]

Posted in: Scholarship Tagged: bible, clothing, coat, egypt, garments, hugh nibley, Joseph, many colors, many colours, marks, symbols, thaclabi, tokens

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