round dance

The Greek Folk Dances: A Reprise

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A Greek folk-dance group performs the horo in front of the Olympic Velodrome at the Olympic Complex in Athens during the Games of 2005. (Louisa Gouliamaki/AFP/Getty Images)

A Greek folk-dance group performs the horo in front of the Olympic Velodrome at the Olympic Complex in Athens, Greece, during the Games of 2005. (Louisa Gouliamaki/AFP/Getty Images)

Hugh Nibley once made this audacious claim: “All the arts and sciences began at the temple. Dance, music, architecture, sculpture, drama, and so forth – they all go back to the temple” ((Nibley, Hugh, and Gary P. Gillum. Of all Things!: Classic Quotations from Hugh Nibley. 2nd, rev. and expand ed. Salt Lake City, Utah; Provo, Utah: Deseret Book Co.; FARMS, 1993, 45)).  The more I learn, the more I am convinced of that statement.

My mind returns again to posts I’ve written in the past about subjects that do not cease to fascinate me.  Today I was reminded of a post in 2009, The Traditional Greek Folk Dances and their Ancient Roots.  The Greek dances are some of the most ancient dances in the world, and have been passed down by tradition to the present day where they maintain many of their archaic forms.   [Read more…]

The Universal Creation Song

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Music is a fundamental part of worship, and was even more so anciently than it is today.  Before the printed word made the sacred word so accessible to the masses, it was passed on from generation to generation orally.  But this was not just the spoken word.  In order for the word to be remembered and said the same way over and over again, over decades and centuries, a mnemonic device was employed to facilitate the reciter.  This device was music.  The sacred word, every word, was put to music.

This can be seen in the way the Bible is written in Hebrew, one of the oldest languages in the world.  In Hebrew, particularly the Hebrew Bible, there are cantillation marks that specify how the text should be sung:  [Read more…]

The Traditional Greek Folk Dances and their Ancient Roots

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San Joaquin Delta College Hellenic Dancers doing the Greek Syrtos dance at the school's new campus dedication in 1977. They wear the traditional Greek folk dance costume. A musician is playing a Thracian gaida in the center of the circle. Used by permission.

San Joaquin Delta College Hellenic Dancers doing the Greek Syrtos dance at the school's new campus dedication in 1977. They wear the traditional Greek folk dance costume. A musician is playing a Thracian gaida in the center of the circle, leading the dance. Used with permission.

When I originally wrote my paper on “The Genesis of the Round Dance,” I included a short section on the ancient Greek dance forms:

The ancient choruses, dances, and songs of the dithyramb of Greece displayed the familiar pattern of a dignified, circular dance around the altar of Dionysus in the theater’s orchestra. In fact, the term orchestra originally meant the circular dancing place of the theater. In addition, the terms carole and chorus, also originally Greek, meant a sacred ring dance, men and women holding each others hands [other related English words are chorale, choir, and choreography]. LDS scholar, Dr. Hugh Nibley, reminds us that the creation was often acted out in these Greek dance dramas:

The Greek play has a chorus. Well what does chorus mean? It’s a ring dance; it’s a circle. Same as our word curve; Latin: curvus; going around. The chorus sings, and the chorus of the muses sings the poiema, the creation song . . . When they sing together, it’s the poiema, the song of the creation. It’s a glorious thing. It’s a round dance like the Egyptian maypole.

Nibley takes it one step further to explain that all the arts originated from the ancient temple dramas. “So poetry, music, and dance,” he tells us, “go out to the world from the temple-called by the Greeks the Mouseion, the shrine of the Muses.” Again he states that, “All the arts and sciences began at the temple. Dance, music, architecture, sculpture, drama, and so forth-they all go back to the temple.” Kraus supports this claim of a ritualistic connection between the arts when he informs us that Native American ceremonies and sacred dances are “part of an elaborate drama which embraces all the arts.” ((http://www.templestudy.com/2008/02/01/the-genesis-of-the-round-dance-part-3/))

The more one learns about the arts, the more one is convinced of Nibley’s stunning summation.

I want to expand a bit more on the traditional Greek dance forms, and share some more interesting details I’ve learned about these ancient practices that still are continued today.  [Read more…]

“The Cosmic Ring-Dance of the Angels” by Frederick M. Huchel

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Detail from "The Last Judgment" by Fra Angelico - "The Dance of the Angels"

Detail from "The Last Judgment," c1425, by Fra Angelico - "The Dance of the Angels"

Some of you may remember my paper The Genesis of the Round Dance that I posted early in the life of TempleStudy.com.  It was a paper I wrote for a BYU Dance Department Symposium a few years ago that addressed the ancient ubiquitous practice of ring dancing, particularly as connected with religious worship and prayer.  It was a subject that really intrigued me, and is probably one of the most researched topics I’ve ever written about, as well as one of the first, taking some precious leads from Hugh Nibley and running.

Br. Frederick M. Huchel, an independent historian and scholar of the temple from Logan, Utah,  a week and a half ago spoke on the same subject at Margaret Barker’s Temple Studies Group symposium in London, England.  His presentation was entitled “The Cosmic Ring-Dance of the Angels: An Early Christian Rite of the Temple.”  The paper has now been published on David Larsen’s Heavenly Ascents blog.

I have not yet had the chance to read the paper, but I am confident that it will go far and above the detail of my paper, lending valuable insights particularly in the area of the ancient Israelite and early Christian elements.  Br. Huchel’s original work on the subject spans over 100 pages that he plans to publish at some point, of which this paper is a portion.

I’m really looking forward to learning more about this subject from Br. Huchel!  You can find the paper at the links below:

Introduction by Br. Huchel at Heavenly Ascents
PDF of “The Cosmic Ring-Dance of the Angels: An Early Christian Rite of the Temple”

Update: Frederick M. Huchel has now published a book on this subject.  You can buy it here: http://www.lulu.com/content/paperback-book/the-cosmic-ring-dance-of-the-angels—softbound/7409216?fNo=Cancel

Catholic Prayer and Mormon Prayer

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Book cover

There is a great article over at LDS Views by Dr. Alonzo Gaskill in which he discusses the differences and similarities between Catholic prayer and Mormon prayer.  It is quite interesting the comparisons he makes, particularly those with prayer in the temple.  I believe this article is from his latest book Know Your Religions, Vol. 1 – Mormonism and Catholicism.

The focus of the article is on Catholic prayer, and that when Catholics petition saints on their behalf it does not mean that they are praying to them.  Gaskill explains that praying to anyone else besides God is against Catholic theology.  What they are really doing is asking those saints, those faithful followers of Christ, to pray for them, to combine their faith in petitioning God for blessings.

In this way, Catholic prayer is similar to LDS prayer in the temple, where faithful members of the Church combine their prayers of faith with each other to make it more effectual in reaching God’s throne.

While I have personally witnessed many Catholics seemingly worshiping saints other than God, such a practice does not accord with Catholic teaching.  In this case, a benefit of a doubt might be granted, since Latter-day Saints also have practices which don’t accord with our teachings too.  My wife once worked for the library at BYU cataloging Mormon folklore, and she could give you a laundry list of interesting practices or beliefs among the Saints.

Read the article at LDS Views here.