clothing – Page 2 – Temple Study

Pilgrimage as a Temple Theme

July 16, 2012 by Bryce Haymond 1 Comment

Eastern Orthodox Christian pilgrim at Kiev Monastery of the Caves, Ukraine. Women often cover their heads as prescribed by Paul (1 Cor. 11:13). Many pilgrims wear all white. (Photo by Petar Milošević)

William Hamblin and Daniel C. Peterson have a regular religion column in the Deseret News. Their latest article is entitled “Pilgrimage: A sacred journey in search of God.” They point out that many religions have their own types of pilgrimages towards a holy place, shrine, or temple, where the pilgrim seeks to connect with God. Truly, the Temple Mount, or current location of the Dome of the Rock in Jerusalem, is such a location for several major religions.

Latter-day Saints also have pilgrimages to temples. Many members of the Church throughout the world still have to travel great distances, over a number of days, at the cost of lifetime savings, to reach the closest temple to their home. In recent years, this has improved as temples have been built in more locations, closer to more members.

The temple itself can also be considered a pilgrimage within itself, a journey from a lower sphere to a higher one, even heaven, where one comes to God.

The article notes the ritual aspect of many religions’ pilgrimages:

Most pilgrimage is associated with special rituals and ceremonies. Pilgrims are often required to don sacred robes and undergo spiritual exercises such as prayer, reading scriptures or meditation. Many pilgrims abstain from ordinary activities of life by fasting, sleepless vigils or sexual abstinence. Sacrifice or offerings are often required of the pilgrim, even if it is only placing of a flower or rock in a special place. In return many pilgrims obtain tokens of their pilgrimages — special clothing, jewelry, books, medallions or relics — which they proudly wear or display as symbolic of their spiritual status as pilgrims.

Read the full article at the Deseret News:
http://www.deseretnews.com/article/765589691/A-sacred-journey-in-search-of-God.html

Sanctuary Vesture: A Brief Overview and Comparison

February 24, 2011 by Guest Blogger 2 Comments

Ancient Israelite temple ceremonial clothing worn in the Mosaic Tabernacle, and succeeding Israelite temples of Solomon, Herod, et al.

I’m very pleased to welcome another guest post by Matthew B. Brown. Some of his writings, particularly his book The Gate of Heaven, are what inspired me to study the temple more in depth. He offers a wealth of insight and learning for the Latter-day Saints. ~Bryce

Matthew B. Brown holds a degree in history from Brigham Young University in Provo, Utah. He is the author of ten books and has published articles with the Neal A. Maxwell Institute for Religious Scholarship at BYU (aka FARMS). Matthew has served as a volunteer researcher, editor, and respondent for The Foundation for Apologetic Information and Research (FAIR) and has spoken at several of their annual conferences. He is one of the directors of the upcoming EXPOUND symposium on May 14, 2011, and will also be a presenter (expoundlds.com).

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It is publicly acknowledged that Latter-day Saints who participate in the central temple rites of their faith dress in several layers of ceremonial clothing, consisting of a “white undergarment” (which is worn as part of everyday life) and “other priestly robes” (which are only worn during times of temple service).¹ [Read more…]

The Traditional Greek Folk Dances and their Ancient Roots

September 8, 2009 by Bryce Haymond 11 Comments

San Joaquin Delta College Hellenic Dancers doing the Greek Syrtos dance at the school's new campus dedication in 1977. They wear the traditional Greek folk dance costume. A musician is playing a Thracian gaida in the center of the circle, leading the dance. Used with permission.

When I originally wrote my paper on “The Genesis of the Round Dance,” I included a short section on the ancient Greek dance forms:

The ancient choruses, dances, and songs of the dithyramb of Greece displayed the familiar pattern of a dignified, circular dance around the altar of Dionysus in the theater’s orchestra. In fact, the term orchestra originally meant the circular dancing place of the theater. In addition, the terms carole and chorus, also originally Greek, meant a sacred ring dance, men and women holding each others hands [other related English words are chorale, choir, and choreography]. LDS scholar, Dr. Hugh Nibley, reminds us that the creation was often acted out in these Greek dance dramas:

The Greek play has a chorus. Well what does chorus mean? It’s a ring dance; it’s a circle. Same as our word curve; Latin: curvus; going around. The chorus sings, and the chorus of the muses sings the poiema, the creation song . . . When they sing together, it’s the poiema, the song of the creation. It’s a glorious thing. It’s a round dance like the Egyptian maypole.

Nibley takes it one step further to explain that all the arts originated from the ancient temple dramas. “So poetry, music, and dance,” he tells us, “go out to the world from the temple-called by the Greeks the Mouseion, the shrine of the Muses.” Again he states that, “All the arts and sciences began at the temple. Dance, music, architecture, sculpture, drama, and so forth-they all go back to the temple.” Kraus supports this claim of a ritualistic connection between the arts when he informs us that Native American ceremonies and sacred dances are “part of an elaborate drama which embraces all the arts.” ((http://templestudy.com/2008/02/01/the-genesis-of-the-round-dance-part-3/))

The more one learns about the arts, the more one is convinced of Nibley’s stunning summation.

I want to expand a bit more on the traditional Greek dance forms, and share some more interesting details I’ve learned about these ancient practices that still are continued today. [Read more…]

The Creation, God Introducing Adam and Eve – An Illustration by Jean Fouquet

April 18, 2009 by Bryce Haymond 20 Comments

Ms Fr 247 f.3 The Creation, God Introducing Adam and Eve, from 'Antiquites Judaiques', c.1470-76, Jean Fouquet, Bibliotheque Nationale, Paris, France

Every once and a while I’ll come upon an antiquarian painting, print, fresco, sculpture or other art piece that peaks my interest. This is one of them.

This is an illustration by Jean Fouquet from a french translation manuscript of Josephus‘ Jewish Antiquities. It is entitled, “The Creation, God Introducing Adam and Eve,” and dates to 1470-76 C.E. Currently it is maintained at the Bibliothèque Nationale in Paris, France.

There are several things that are interesting about this illustration:

God is portrayed in the center, joining the right hands of Adam and Eve in a sacred handclasp, likely the dextrarum iunctio, a symbol of the eternal marriage of the two.
Angels on both sides of the group seem to clothe Adam and Eve in the sacred garments worn by God.
The Garden of Eden is symbolized as a walled city/fortress, with the rivers beginning at a fountain and exiting through the walls.
Since this is also representative of the Creation, we note God and his angels at the top holding the instruments or tools of creation, including God holding a compass and one of the angels a square. (See Isa. 44:13)
Is God represented here twice, or are there 2 Gods?
God is depicted as a man, in both cases.

You can see a similar representation in a 16th century sculpture called The Garden of Eden or Love.

Anything else interesting that you see in this illustration? Does anyone know anything else about this particular work, or similar ones?

Update (4/20/09): I found a scan of the entire page from a book entitled “Jehan Foucquet, native of Tours” by Trenchard Cox (page 88). You can see the full page image here. It is interesting to note that in this book the title of the illustration is “The Marriage of Adam and Eve.”

Update (4/20/09): I found another very similar illumination from the same time period. This one is entitled “The Marriage of Adam and Eve” from “Des Proprietes De Chozes” by Jean Corbechon around 1415 C.E. You can see very similar symbolism here.

The marriage of Adam and Eve, from 'Des Proprietes De Chozes' by Jean Corbechon, c.1415.

Update (4/20/09): Here is a detail of an engraving by Jean Duvet cerca 1540-1555 which depicts the same – “The Marriage of Adam and Eve.” You can see the full engraving here.

Detail from engraving "The Marriage of Adam and Eve" by Jean Duvet, cerca 1540-1555.

Mosaic Tabernacle as an Aaronic Temple

April 12, 2009 by Bryce Haymond 24 Comments

The Tabernacle at Sunset - by Pat Marvenko Smith (click for larger view)

Note: I taught our Elders Quorum class today, and was assigned the topic of the Mosaic Tabernacle as a Temple. Below are the notes and illustrations I used for my lesson.

Review of prior lesson on the exodus:

Children of Israel escape Egyptian bondage (Ex. 14)
Moses leads them out
Parting of the Red Sea, Pharoah’s armies are drowned
Lord begins to organize his people
Manna rains down from heaven, sends Quail for meat (Ex. 16)
Moses strikes the rock, and water comes out
Lord covenants to Israel a peculiar treasure, a kingdom of priests, an holy nation (Ex. 19:5-6)
10 commandments and Mount Sinai (Ex. 20)
The people start to refuse to become what the Lord had offered them – “Speak thou with us, and we will hear: but let not God speak with us, lest we die.” (Ex. 20:19). Foreshadowing…
Many instructions, laws, covenants, etc. are delivered to Moses, which he delivers to the people, who all answer with one voice, “Yes, we will be obedient (Ex. 24:3, 7)

Moses goes up Mount Sinai again to receive instructions for 40 days and nights (Ex. 24:18). Matthew Brown – “As part of his ascension experience, Moses is said to have been washed, anointed, clothed in heavenly garments, called with names of honor, enthroned, and initiated into heavenly secrets” ((Brown, Matthew B. The Gate of Heaven: Insights on the Doctrines and Symbols of the Temple. American Fork, Utah: Covenant Communication, 1999. 58)). Joseph Smith noted that Moses received the “keys of the Kingdom,” and “certain signs and words” ((ibid.)). [Read more…]